5/30/2023 0 Comments Air brush photoshop![]() ![]() The Dual Brush and Scattering dynamics can create a very good "splattering" brush effect. I then duplicated the red layer with it's mask and set up a brush. Repeat the Noise filter, then scale mask a few times (on the same layer mask) to create a basic splatter of the red. Then, unlink the mask to its layer and use free transform (Command/Ctrl-T) to scale the mask up so the noise becomes clumps. On the red layer I added a layer mask, filled the mask with black and then choose Filter > Noise > Add Noise I started with two solid color layers - beige and red. When I was done with painting everything, I'd probably also try a new composite layer with a very subtle Lighting Effect filter to add just a touch of uniform lighting and depth to the entire piece as a whole. ![]() You simply can't get all that wonderful grain and texture with only brush settings. While this may not be perfect, and still take some tweaking to get more refined, I think this may be a good path to pursue. ![]() In addition, I placed a texture layer above everything which uses a noise/distress texture in a ver subtle manner to add more "canvas" texture. I then selected portion of the image and, on a new layer, brushed in the darker color. (to see this image better, right-click/control-click and choose Open Image in New Tab/Window) What I did was a brush set to have the Texture dynamic on and a basic distress patter as the texture: I think you can get something similar by simply adding noise to areas after they are painted. So much of the texture you see is probably from the canvas or medium directly and often mimicking traditional elements can be a challenge with digital workflows. Realize that anything created pre-1980/1985 was done by hand. ![]()
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